New Orleans continues to flourish as a filming destination
New Orleans no longer has the blues, production-wise at least. Could it be something to do with the fact that already generous Louisiana incentives have been raised to a whacking 30%?
New Orleans no longer has the blues, production-wise at least. Could it be something to do with the fact that already generous Louisiana incentives have been raised to a whacking 30%?
Robin Hood is riding through far more than the glen for Ridley Scott’s latest epic, an action-packed account of the legend, involving sea landings, castles springing up in the woods of Surrey, and the wrong type of undergrowth. Scott called on Bill Darby, veteran of UK locations, for the film that will open this year’s Cannes Festival.
Paul Greengrass’ Green Zone, which puts Matt Damon back where he belongs at the heart of another action-packed thriller, has opened globally to excellent reviews.
Since new EC Treaty state aid rules kicked in fully in the summer of 2009, Italy has been in the middle of a production frenzy, as producers get wise to both national and regional incentives available for their pictures.
There is no denying that Joe Johnston’s The Wolfman had a rocky road to the silver screen, with a change in director just before principal photography, a spiralling budget and reshoots galore stretching over a year and a quarter.
Central Europe has long been recognised as a quality filming destination. Germany has had incredible success with its annual handout of EUR60 million through the German Federal Film Fund, grabbing big productions like Tarantino’s Inglourious Basterds,
The Australian state of Victoria is a place that is proud of its film-friendly reputation. In the last four years, four large international productions have made it, and its capital Melbourne, their home wooed by a heady mix of production pluses.
Guy Ritchie’s global smash-hit, Sherlock Holmes, filmed principally in London. Robert Downey-Junior’s job was to reinvent Holmes for the 21st Century, but Production