[slideshow id=113]We tend to see the Caribbean as one country or a small group of islands whose names we are all familiar with. But in fact there are more than 7,000 islands in this long arc that runs from Florida to the north coast of South America.
[slideshow id=98]As with all extreme locations, preparation and planning before an expedition is crucial. Choosing the format you wish to film on may be governed by an existing edit suite facility at the production company but this may not be the right choice to deal with high
[slideshow id=84]My wife and I first came to Madagascar simply to enjoy a beautiful place and take a breather from our jobs in the French film industry - she’s a production co-ordinator, I’m a line producer, both freelance.
[singlepic id=567 w=600 h=250 float=]In March 2010 I was selected as DoP for a new series on ITV1 called 71 Degrees North. I was to be one of seven camera crews on location, working with a large variety of filming platforms including climbing ropes, snowmobile, helicopter, dog sled, skis and also underwater.
[slideshow id=81]Is it cheaper to build a set in a studio or go to a location, and do the restrictions of a location shoot outweigh the freedoms and control of a studio shoot?
[slideshow id=71]You will never hear anyone return from India saying it was boring. The vibrant culture, unique wildlife and spectacular scenery have fascinated visitors for centuries. Documentary filmmakers have tapped into this rich vein of content to great advantage.
[slideshow id=62]I first came to Cambodia in 2009 to help develop the territory as a viable alternative for foreign productions wanting to shoot in South-East Asia. Key to this was to create quality production support.
[slideshow id=61]Back in 1999 a CNN journalist coined the phrase “A Hollywood in the Mediterranean” in describing Malta as it simultaneously hosted two big budget films - Gladiator and U-571.